评出100部最佳外语电影，13部华语片入围，你看过几部？
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近日，英国广播公司（BBC）公布了一份榜单，列出100部最伟大的非英语电影。 这些电影由43个国家的209名影评人评选出来，包含来自24个国家的67个导演的影片，涉及19种语言。 榜单中排名第一的是日本导演黑泽明的《七武士》（Seven Samurai），BBC称它在世界各地影评人中几乎“零差评”。 法语电影上榜最多，共有27部入围，位列第二的是华语电影，多达13部。 其中，年代最早的电影是费穆的《小城之春》（1948），入围电影最多的导演是王家卫（3部），他的《花样年华》是唯一入围前十的华语电影。
更多关于这13部华语影片细节，来和双语君一同看看吧！ BBC最佳外语片之华语电影 No.98 阳光灿烂的日子 导演：姜文 影评 Jiang Wen's extraordinary 1994 debut In the Heat of the Sun is the story of a dreamy abstract place perpetually awash in baking heat. I only focus on my generation and my generation's true feelings. I wanted to portray that time through the eyes of children who lived through that time, then I filmed it in that way.
导演：张艺谋 影评 Raise the Red Lantern — set in 1920s China — used entrenched social and gender to fuel a gorgeously filmed collision between expectation and reality, dreams and despair. A beautifully crafted and richly detailed feat of consciousness-raising. No.78 卧虎藏龙 导演：李安 影评 Lee grounds the high-kicking mayhem in poetic gravity, which gives it a flavor all its own, as plangent and lovely as the cello strains of Tan Dun's memorable score. The movie that catapulted Ang Lee into the ranks of upper echelon Hollywood filmmakers, Crouching Tiger, Hidden Dragon features a deft mix of amazing martial arts battles, beautiful scenery, and tasteful drama.
导演：王家卫 影评 This is a story of people who don't belong and don't particularly want to belong, and yet are inevitably sad at not belonging. The story may end in Taiwan on a heartbreaking note, but we're left somewhere between here and there, happily drifting through the film's luscious netherworld of sound and image.
导演：费穆 影评 Its cool understatement in terms of narrative and performance, its psychologically illuminating use of interiors and exteriors, and its imaginative use of occasional voiceover to explore – but teasingly never pin down or delimit – the wife's conflicting emotions: all these are combined to create a sophisticated work of sharp and subtle insights that are as relevant today as when the film was made. No.56 重庆森林 导演：王家卫 影评 These stories, about disconnections, loneliness and being alone in the vast city, are photographed in the style of a music video... What happens to the character is not really the point; the movie is about their journeys, not their destinations. Wong is more of an art director, playing with the medium itself, taking fractured elements of criss-crossing stories and running them through the blender of pop culture.
导演：李安 影评 The sometimes surprising romances of Eat Drink Man Woman keep spinning, illuminating the irrationality of life. Desire pulls everyone in different directions. Eating and sex — the primal urges of life, according to Lee — dominate these outwardly sophisticated characters, who even woo each other with food.
导演：张艺谋 影评 "To Live" is a simple title, but it conceals a universe. It is a big, strong, energetic film, made by a filmmaker whose vision takes in four decades of his nation's history, and sees that ordinary people everywhere basically want what his heroine cries out for, a quiet life. No.38 牯岭街少年杀人事件 导演：杨德昌 影评 A Brighter Summer Day's extended running time pays off: Si'r's spiral towards tragedy never stretches credibility, because Yang takes the time to let it realistically occur, showing us each factor that contributes to his slow transformation. Politics and movies and fathers and sons and mothers and daughters and first love and scorching, insensate first jealousy... almost hallucinatory violence that feels like Greek tragedy and Proust and Shakespeare. No.25 一一 导演：杨德昌 影评 Edward Yang was a master of transmuting grand socio-political narratives into something deeply intimate: the story of a young couple or a family could be the story of a city, a country, an entire era. It is a film that plunges you into lives that feel fully lived with the confidence of a great novel; it thrives on details while being undeniably sweeping. No.18 悲情城市 导演：侯孝贤 影评 Set in mid-1940s Taiwan, when the Kuomintang government took control of the island from Japan's colonial rule, Hou Hsiao-hsien's historical drama appears to be a chronicle of the misfortunes of the Lin family. But Hou used the Lins to put the dark history of Taiwan in the spotlight. What seem to be mundane events experienced by the four Lin brothers illustrate the pain and struggles of the people in Taiwan during the times of February 28. — Vivienne Chow No.12 霸王别姬 导演：陈凯歌 影评 Chen Kaige's Farewell My Concubine tells the story of two Peking Opera actors' fluctuating fortunes, from childhood onwards, but it is actually about the passage of time, about glory and decay, about persevering love and hatred. A sumptuous, ambitious, uNPRedictable epic, it sweeps the viewer through 52 tumultuous years of Chinese history, from 1925 to 1977, as the characters are kicked back and forth by warlords, Japanese invaders and the Cultural Revolution. No.9 花样年华 导演：王家卫 影评 Loneliness and longing permeate the smoky, colourful atmosphere of Wong Kar-wai's dreamy In the Mood for Love. Breaking down all the conventions of cinematic love stories, the characters barely touch and only allow slivers of their inner lives to peek through. In the Mood for Love is a film that ripples with textures and sensual energy as the camera becomes preoccupied with small gestures: the rattling of mahjong tiles, the way fabric bends, hands leaning on a tabletop. It is a film where absence is infused with beauty, poetry and romance. — Justine Smith |
